Enea Leone Classical Guitar Masterclass Ticket

Sale price¥10,500
Live Classical Guitar in Scotland

Each Alba GB concert is part of an ongoing effort to bring world-class classical guitar to audiences across Scotland. Featuring international soloists, rising talents, and instruments crafted by renowned luthiers, our events are carefully curated to deliver an intimate, unforgettable experience. From solo recitals and masterclasses to meet-the-artist sessions and instrument showcases, every performance is designed to connect listeners with the music, the maker, and the moment. Stay tuned for more dates and join us as we build a home for classical guitar in Scotland.


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Alba GB Classical Guitar Academy presents - Classical Guitar Masterclass with Maestro Enea Leone, 4th December 2025, 2pm–5pm - Limited spaces

This masterclass is designed for classical guitar players working
on different repertoire and at different stages of development. Instead of a
fixed programme of pieces, the session focuses on each student’s current
challenges. The aim is to help players refine their technique, interpret their
selected works more confidently, and understand the practical steps required to
progress beyond specific hurdles. Maestro Enea Leone will guide each
participant individually, with the group observing to absorb principles that
apply across the classical guitar repertoire.

 

The session begins with a short welcome and a brief outline of how
the afternoon will run. Each participant will have a dedicated time slot with
Maestro Leone, allowing space for performance, targeted feedback, and clear
recommendations for improvement. The atmosphere remains supportive, structured,
and focused on practical study rather than performance pressure.

 

The first segment looks at technical challenges that commonly
appear in classical guitar pieces across all levels. These include right-hand
stability, string-crossing control, arpeggio fluency, consistent tone
production, left-hand shifts, balance across voices, and preparation for wider
stretches. Instead of presenting these ideas in isolation, Maestro Leone will
connect them to the repertoire each student brings. A player working on Sor
studies, Giuliani’s concert etudes, Villa-Lobos, Barrios, Albéniz, or modern
works will receive guidance based on the demands of the specific piece.
Students will see how a technical issue in one piece often appears in different
repertoire, and how to recognise patterns that can speed up future learning.

 

The next part of the masterclass is built around interpretive and
structural understanding of the music. Maestro Leone will guide students to
hear how phrases lead, how sectional contrasts shape the overall flow, and how
to maintain clarity in multi-voice textures. Instead of abstract commentary,
the focus remains on direct, actionable advice. For example, in Sor’s Op. 35 or
Op. 60 studies the challenge may be voice separation and clean transitions. In
a movement by Bach it may be articulation and balance across contrapuntal
lines. In twentieth-century repertoire the difficulty may involve rhythmic
patterns or navigating unusual fingers positions. These discussions help
students strengthen their planning and avoid habits that limit long-term
progress.

 

As each student performs, Maestro Leone will pause to demonstrate
specific solutions on the guitar. These may involve alternative fingerings,
revised left-hand preparation, right-hand planting strategies, or ways to
reorganise practice sessions to solve problems efficiently. Attention will also
be placed on posture, instrument support, and how to maintain stability while
producing an even sound. The aim is to provide every participant with a
practical path forward for the weeks after the masterclass.

 

Students observing will be encouraged to take notes, as many of the
principles discussed apply regardless of the repertoire in front of them. By
hearing different difficulties addressed in real time, the group benefits from
a wider range of examples and solutions than a single-piece class would
normally offer.

 

The final part of the session reviews the main ideas covered
throughout the afternoon. Maestro Leone will offer general guidance on practice
structure, repertoire planning, and how to tackle challenging passages without
falling into unproductive repetition. There will be time for brief questions
relating to the pieces presented, fingerings, preparation techniques, and
approaches to long-term study.

 

This session provides a rare opportunity to receive personalised
guidance from Maestro Enea Leone in an almost one to one setting. With limited
places available, the focus remains on individual progress, careful listening,
and clear direction that students can apply immediately after the event. The
goal is to support every participant in moving forward with their chosen
repertoire and to strengthen the skills that make future pieces easier to study
and understand.

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